Theater! 
Arts  Li  bJ;' 
*PN  ' 
1993.5  ' 
U6A869 


ASSOCIATED  EXHIBITORS 

INC. 

STATEMENT  OF  PURPOSE 
&  POLICY 


THE  LIBRARY 
OF 

THE  UNIVERSITY 

OF  CALIFORNIA 

LOS  ANGELES 


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Statement 


Purpose 


Associated 
Exhibitors 


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Theatre  Arts 
Library 


£      G    &  K  C  K  Jl  Jl 

PURPOSE 

OVER  a  year  ago  a  group  of  exhibi- 
tors, forward-looking  men,  realiz- 
ing the  well-nigh  universal  dissatisfaction 
with  conditions  in  The  Motion  Picture 
industry,  organized  "Associated  Exhibi- 
tors Inc.,"  an  association  for  protection 
and  profit,  based  on  mutual  confidence 
and  simple  justice  for  all. 


Co 
a: 


3110250 


A-^i'i'w*,^... 


A 

Partnership 
for 

Production 
and  Profit 


V 


An 

I  deed  of 

Fairness 


1 0-OPERATION"  may  be  defined  as  the  working 
together  of  two  or  more  people  for  their 
mutual  benefit.  The  ideal  of  Associated  Exhibitors 
then  is  simply  a  closer  co-operation  between  those 
concerned  in  both  the  production  and  exhibition 
of  motion  pictures. 

Primarily  its  object  is  to  accomplish  a  more  equit- 
able distribution  of  profits— by  eliminating  the 
superfluous  middlemen  whose  actual  contribution 
to  production  and  exhibition  is  nothing. 

BY  dealing  directly  with  producers,  stars,  direc- 
tors and  authors,  making  everyone  a  partner 
in  production  and  marketing,  the  Association 
hopes  to  knit  the  industry  into  a  more  harmonious 
whole. 

By  offering  to  those  concerned  in  production  a 
just  share  of  the  actual  income  from  a  picture  it 
hopes  to  stimulate  the  creation  of  better  pictures. 

By  establishing  a  basis  of  confidence  and  fair  deal- 
ing, the  Association  expects  to  establish  a  new 
relationship  between  the  forces  of  production  and 
those  of  exhibition. 

Its  ideal  is  to  keep  faith  with  producers,  stars, 
authors,  exhibitors  and  audiences     b}'  gi'^'ing  more. 


I 


PATHE   DISTRIBUTORS 


WHAT    IT   MSJIKS    TO 

EXHIBITORS 


THIS  organization  was  conceived  and 
is  directed  by  exhibitors— it  knows 
and  is  in  sympathy  with  the  exhibitor's 
problems  and  requirements.  To  him  it 
offers  a  unique  opportunity  to  secure  the 
best  pictures  and  the  guidance  of  the 
most  successful  exhibitors. 


An 

Associatioi\ 
of  Leaders 


A 

Tremendous 

Influence 


THE  membership  of  the  Association  includes 
men  who  control  over  200  of  the  largest  and 
best  theatres  in  the  country — the  counsel  of  these 
men  will  guide  its  policy. 

Thus  the  Association's  ideals  are  tempered  with 
solid,  practical  knowledge;  guided  by  tried  busi- 
ness principles;  founded  on  experience — the  only 
basis  for  enduring  success. 

THAT  its  ideals  will  be  attained  is  assured  by  the 
prominence  of  its  members,  the  financial  re- 
sources and  influence  wielded  by  such  an  associa- 
tion of  interests  an  influence  that  will  increase 
with  the  growth  of  the  Association. 

Membership  in  the  Association  is  open  to  all 
exhibitors,  who  are  invited  to  share  a  full  measure 
of  the  benefits  and  profits  of  the  Association  by 
securing  sub-franchises. 

The  value  of  these  sub-franchises  is  such  that  the 
number  immediately  available  will  be  taken  up  in 
a  short  time.  It  is,  therefore,  advisable  that  exhibi- 
tors who  are  interested  should  act  without  delay. 

Detailed  information  may  be  obtained  by  com- 
municating with  the  home  office  of  the  corporation 
in  the  Capitol  Theatre  Builciing,  New  York. 


PATML    DISIRIBUTORS 


WHAT    IT   MSJIHS    TO 

-STARS- 

IN  the  final  analysis  it  is  the  star's 
popularity  with  the  public  that  brings 
money  into  the  box-office— the  star's 
name  which  actually  creates  profits.  But 
between  the  box-office  and  the  star  today 
stretches  a  long  line  of  middlemen,  each 
takine  his  toll. 


The 

Practical 

Sulution 


The 
Most 
Advan- 
tageous 
Shoxvina 


DISSATISFACTION  with  this  condition  is  evi- 
dent from  attempts  which  have  been  made  by 
combinations  of  stars  to  deal  directly  with  ex- 
hibitors. 

HERE  then  is  the  opportunity  which  the  star 
has  wanted— a  practical  means  of  ciealing 
directly  with  the  leading  exhibitors-  an  assurance 
of  showing  in  the  finest  theatres,  to  audiences 
accustomed  to  the  best  entertainment — such  show- 
ings as  will  supplement  the  art  and  enhance  the 
reputation  of  the  star — exploitation  which  will  hold 
anci  increase  the  star's  own  standing. 

THE  object  of  the  Associated  Exhibitors  is  better 
productions  as  a  whole,  therefore,  the  star  will 
be  given  every  acivantage  in  the  way  of  adequate 
support  and  artistic  staging  throughout. 

In  adciition,  the  star  will  participate  in  the  actual 
profits  of  every  release — will  receive  a  just  propor- 
tion of  the  value  created  by  his  or  her  ability  and 
popularity. 

The  resources,  standing  and  influence  of  this 
organization  are  so  great  that  association  with  it 
will  be  attractive  to  stars  of  the  first  magnitude. 

Artists  are  invited  to  communicate  with  the  home 
c-)ffice  in  the  Capitol  Theatre  Buikiing,  New  York, 
for  more  detailed  information. 


PATHL    DISTRIBUTORS 


WHAT    IT   JfitJiKS    TO 

PRODUCERS 

IT  is  obvious  that  conditions  obtaining 
at  present  in  the  motion  picture  in- 
dustry  afford  only  a  limited  incentive 
for  producers  to  improve  the  quality  of 
pictures,  for  the  prociucer's  reward  is 
rarely  based  upon  the  true  worth  of  his 
accomplishment. 


\ 


SINCE  it  is  impossible  to  predict  in  advance  the 
degree  of  success  or  box-office  value  a  picture 
Gnessin<^      will  achieve,  producers  too  often  receive  less  than 
1     their  just  due— it  is  easy  to  see  who  gets  the  advan- 
tage in  this  guessing  contest. 

The  foundation  for  better  pictures  rests  with  the 
producer^no  one  but  he  can  improve  the  quality 
of  his  own  product  and  he  must  be  encouraged  to 
do  so  by  the  certainty  that  his  efforts  will  be 
adec^uately  rewarded. 

THE  most  equitable  arrangement  possible  is  that 
now  offered  to  producers  by  the  Associated 

i:""^T3  •  Exhibitors  that  is,  an  actual  partnership  in  the 
tair  basis  111  111  j 
profits.    Unquestionably  this  is  a  more  liberal  and 

fair  basis  of  dealing  than  has  ever  before  been 
open  to  the  producer  an  assurance  of  reward 
commensurate  with  the  true  excellence  and  popu- 
larity of  his  picture. 

A  still  further  advantage  to  the  producer  results 
from  the  fact  that  his  creations  are  assured  of  a 
showing  in  the  finest  theatres  of  the  country,  before 
discriminating  audiences  and  under  the  very  best 
conditions. 

Producers  who  are  interested  in  the  benefits  of 
this  new  Association  are  invited  to  communicate 
with  the  home  office  in  the  Capitol  Theatre  Build- 
ing, New  York. 


PATHE   DISTRIBUTORS 


WHAT    IT    MSJIKS     TO 

DIRECTORS 

THOUGH  there  are  undoubtedly 
many  directors  in  the  country  who 
have  the  ability  and  the  knowledge  to 
produce  pictures  of  genuine  merit  the 
number  who  are  actually  doing  so  is 
small  enough  to  be  counted  on  the 
fingers  of  one  hanci. 


ALL  too  often  is  this  due  to  the  restrictions  under 
.  which  the  director  is  forced  to  work— restric- 
uirecwr  s  i    i  •  r  11 

Handicabs    t^o^^s  imposed  by  various  forces  to  whom  the 

director  is  now  subservient. 

These  restrictions  have  grow^n  with  the  growth  of 
the  industry  and  the  tendency  toward  centraliza- 
tion of  control  in  a  few  hands. 

The  truth  of  this  is  but  emphasizeci  by  the  out- 
standing success  of  a  tiny  handful  of  directors  who 
have  managed  to  divorce  themselves  from  these 
handicaps. 


R 


KECOGNIZING  the  fact  that  freeciom  of  action 
is  the  first  essential  to  the  creation  of  better 
rTcc 

Hand  for      pictures,    the   Associated    Exhibitors    offer   to 
Directors       directors  of  ability  the  opportunity  of  working 

uncier  conditions  which  will  afford  full  scope  to 

their  creative  powers. 

In  addition  to  this  freedom  of  creative  opportunity 
directors  are  offered,  for  the  first  time,  the  oppor- 
tunity to  participate  in  the  profits  of  their  creations 
on  the  just  basis  of  a  share  of  the  actual  box-office 
receipts. 

Directors  who  are  interested  in  the  opportunity  to 
create  better  pictures  as  well  as  in  their  profits,  are 
invited  to  communicate  with  the  home  office, 
Capitol  Theatre  Building,  New  York. 


PATHE   DISTRIBUTORS 


.(■AiiRIVA 


WHAT    IT    MSJIKS     TO 

AUTHORS 

THE  foundation  of  the  photoplay  is 
the  story— without  it  stars,  pro- 
ducers,  directors,  are  powerless.  Without 
good  stories  it  is  obviously  impossible  to 
produce  pictures  of  true  dramatic  value 
and  artistic  merit.  On  the  author  rests 
the  structure  of  the  motion  picture 
industry. 


Stories 

Have 

Been 

Undervalued 


An 

Adequate 
Reward  for 
The 
Author 


THE  importance  of  the  story  has  been  consis- 
tently underestimated  and  seldom  have  authors 
concerned  in  the  writing  of  successful  photoplays 
receiveci  a  reward  truly  commensurate  with  their 
contribution  to  that  success.  The  returns  have 
not  been  comparable  with  those  from  a  successful 
play  or  book. 

Many  excellent  stories  have  been  garbled  or  in- 
adequately staged  in  pictures,  and  this  has  deterred 
authors  of  standing  from  permitting  their  works 
to  be  screened. 

For  this  reason  the  standard  of  stories  available 
for  motion  picture  prociuction  has  been  lowered 
immeasurably. 

ASSOCIATED  Exhibitors  by  dealing  directly 
L  with  authors,  eliminating  the  waste  and 
the  restrictions  incicient  to  present  methods,  feel 
that  the  greater  rewards  thus  made  possible  will 
result  in  a  standard  of  stories  worthy  of  adequate 
production. 

To  this  end  their  arrangements  with  authors  will 
be  such  as  to  assure  to  the  writer  his  just  share  of 
the  returns,  and  a  guarantee  of  worthy  production 
and  casting.  This  reward  will  be  based  upon  a 
profit-sharing  basis — a  percentage  of  the  actual 
box-office  value. 

Associated  Exhibitors  Inc.,  invite  correspondence 
from  authors  of  merit.  Correspondence  should  be 
directed  tc-)  the  home  office,  Capitol  Theatre  Build- 
ing, New  York. 


PATHI-    DISTRIBUTORS 


jtms 


OFF[CERS 

Messsaore  Kendall  •      President         Saul  Harris     ■     3rd  Vice-President 

Edward  Bowes     -     Ist  Vice-President         H-  H.  Wellenbrink       •      Secretary 
James  Q.Cletnmer,  2nd  Vice- President         Harry  Crandall     •         •     Treasurer 

F.  C,  Quitnby,  General  Manager 

"BOARD  OF  DIRECTORS 
Messmore  Kendall  *  New  York  City        Dermis  Harris       «      Detroit,  Mich, 


Edward  Bowes 
Paid  Brunet 
Michael  Shea 


New  York  City 

New  York  City 

BuflFalo,  N.  Y. 


Dermis  Harris  .'  Detroit,  Mich, 
Samuel  Harding,  Kansas  City,  Mo. 
I.  libson  •  -  Cincinnati,  Ohio 
James  Q.  CJemmer  •  Seattle,  Wash. 


Harry  Crandall    -  Washington,  D.  C.        Hugo  Lambach   *    Spokane,  Wash, 

Harry  M.  Lublinei*,  Chicago,  III. 


LIST  OF  FRANCHISE  iMEMBERS 


Lubliner  and  Trinz  Ttieatres,  Chicago 

Finkelstein  &.  Ruben   •    Mirmeapolis 

The  Capitol  Theatre      •      New  York 

Kendall  &.  Bowes       •        •      Boston 

Ackerman  &,  Harris     -     Los  Angeles 

Com  well  Theatres  (Koplar  Circuit) 

St,  l^uis 


Ackerman  &  Harris  Tlieatrcs, 

San  Francisco 

Harris  &.  Libson  Theatres,  Pittsburgh 

Harris  &.  Libson  Theatres,  Cincinnati 

Paul  Gusdanovic    ♦        •       Cleveland 

J.  H.  Cooper    •        •     Oklahoma  City 

H.  Crandall  Theatres    •    Washington 

S,  Harding  Theatres     •     Kansas  City 


American  Theatre 


Denvei 
Omaha 


Harding  &  Cohen     •        •     Omaha 

James  Q.  Clemmer    *        •       Seattle 

Olsen  &.  Sourbier  Tlveatres, 

Indianapolis 

Harris  &.  Libson  *     Detroit 


H-  H,  Wellenbrink 
Michael  Shea 
Harold  Franklin 


Detroit 

Newark 

Buffalo 

Buffalo 


Merrill  Theatre  Amusement  Co., 

Milwaukee 


Clemmer '<&.  Lambac' 
Saul  Harris 


■^pokanc 
Litde  Rock 


Clemmer  &.  l..ambach     •    Portland 


Kendall  &>  Bowes 


Albany 


Ackerman  &  Harris,  Salt  Lake  City 


J.PARKER  READ  JR 

presents 

LOUISE 
GLAUM 


in 


SE 


By  C.Gardner  Sullivan 
Directed  by  Fred  Niblo 

W.W.HODKINSON  CORPORATION 

527  Fifth  Avenue,  New  York Gty 

Distributing  through  PAlHb  Exchange.  Incorporated 


\s 


"0.  God  I 
Wij)  shovld, 
this  happen 
to  me  ?" 


Sfcr  Sorrow  and  Suffering,  that  17  is  Experience  that  refines 
are  the  lot  of  all  women .        Jj  the  Soul  of  all  women . 


IsS 

j|Btj„_:  _    .,.,■   jrL^-i_ 

is  the  great  Unknown  in  the 
fascinating  game  of  Life. 


J.  PARKER  READ,  Jr.  becomes  one  of 
the  greatest  of"  all  creative  producers 
with  the  release  of  "  SEX. " 

LOUISE  GLAUM  becomes  what  she  has 
been  growing  to  be  for  the  past  six 
months — the  screen's  greatest  and  most 
successful  emotional  star. 

FRED  NIBLO  goes  many  steps  forward  and 
will  be  reckoned  with  henceforth  as  one 
of  the  greatest  of  directors. 

C.  GARDINER  SULLIVAN  has  never 
before  in  his  distinguished  career  written 
a  story  so  big,  so  enthralling  as  "  SEX." 

FIVE  SUPPORTING  STARS  do  the 
biggest  work  of  their  careers  in  "  SEX," 
reflecting  the  splendid  liberality  of  Miss 
Glaum  in  desiring  all  of  the  players  to 
have  their  share  of  success. 

SEX  "  is  not  merely  powerful  and  techni- 
cally fine — it  is  commercially  sure-fire 
and  artistically  amazing.  And  in  treat- 
ment it  is  as  wholesome  and  genuine  as 
a  mother's  embrace. 


^^^^^^^^^^1 

mi 

i 

s 

:V^-.  .-.A. 


In  "  SEX "  J.  Parker  Read,  Jr. 
has  produced,  C.  Gardner  Sul- 
livan has  written  and  LOUISE 
GLAUM  has  acted  the  picture 
extraordinary.  It  is  a  picture 
for  super-showmen.  No  exhibitor 
who  is  a  poor  showman  ought 
to  be  permitted  to  book  and 
play  "Sex." 

The  story  in  "  Sex  "  is  the  story 
of  life  with  all  of  its  mad,  glad 
realistic  garb;  with  irresistible 
"i)unches"  here  and  there  and  a 
gloriously  adequate  cast  to  put 
these  punches  over. 

Some  of  the  trade  press  critics  have 
been  duly  shocki-d  —  all  have  been 
startled  by  "Sex."  The  value  of  the 
trade  press  reviews  of  "Sex"  to  the 
exhibitors  who  book  this  production 
could  not  be  duplicated  or  equalled  by 
the  spending  of  Fifty  Thousand  dollars. 

"Sex"  is  pre-released  April  11  for  two- 
week  or  one-week  engapemenis  only. 

We  arc  asking  high  rentals  and  it  is 
worth  higher  rentals  than  we  ask. 


W.W.HODKINSON  CORPORATION 

527  FUth  Avenue.  New  York  Qty 
DtstribuUng  ttwugh  PAXHf  Laihunge.lrKirporumt 


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■»^  «lal&'*SsSUSSwm__ 


Tod  Browning's    Triumph 


m  booking  the  -THE  VIRGIN  OF  STAMBOUL"  be  sure  to  give  this 
really  huge  production  at  least  twice  your  ordinary  run.  We  do  not  want 
to  over-sell  you  on  any  picture  but  the  simple  fact  is  that  "THE  VIRGIN 
OF  STAMBOUL"  is  one  of  those  gorgeous,  glowing,  mind'filling  photo- 
dramas  like  "The  Heart  of  Humanity"  and  "The  Birih  of  a  Nation" 
which  instantly  lay  hold  of  the  public  imagination  and  grow  bigger  in  box-office  power 
with  each  day's  showing.  For  this  reason,  you  ought  to  net  more  from  "THE  VIRGIN 
OF  STAMBOUL"  than  you  have  netted  from  anything  else  except,  possibly,  the  other 
two  productions  mentioned.  Do  your  big  work  in  advertising  this  marvelously  acted 
and  masterfully  directed  super-drama  right  at  the  start — you'll  hardly  have  to  turn  a 
hand  after  you've  opened.  But  don't  write  us  after  it's  all  over,  saying  that  you  could 
have  run  it  for  another  week  at  the  same  profit.  Book  that  other  week  now.  Why 
let  the  other  fellow  clean  up  later  on  your  advertising? 


Carl  Laemmle  presents 

PRISCILLA  DEAN 

in  the  $500,000  Universal-Jewel 
Production  de  Luxe 

''The  Virgin 
of  Stamboul 

[Directed  by 
TOD  BROWNING 


\^c  considei^  i 
THE  YOmmi  TELIER,  J 
Hie  bic^esi  picltirewe 
li©ve  evei'  hexd      / 

"^  consider 
THE  TQRTUNE  TELIER. 
Ihe  dreaiesl  work  5^ 

ALBERT  GAPELIMI 

"^  consider 
M  llie  sfoj'  of  Tfle- 
.EDfiTUNE  TELLER  -  -  - 
^MPJOBIE  DMBEAU 
porfrco^3  Ihe  fflosl  re 
mt^jjoble  itiferpi'eler 
lioii  ^^ittof herliGod 
ever  seen  on  a  screen 

ROBERT/ON*  COLC 

y^PRiii     1,  192.0 


ROBERT/ON-COLE 


P  E  C  I 


THE  BUTfERFLY  MM 


llie  second  y^*"  tinique 

COPY 


I    A    I-    •" 


Lew  Codtf  iSirlij  lee^ped  i 

itilo  popuWitu  viifi       I 

THE  bllOm  CHEATER.  ^ 

THE  5TITTEDEY  MAN 

will  iiiii'etiek  jiiui  in  fk  pos- 
iiion/^  ^ar  villi  sometmti^ 
decidedly  nev  in  file  vay  / 
enleriadnmetit 


ROBERT/ON-COLE 


U    P    E 


C    C    I     A 


a^eWfflTEDOVE^ 


A  ReniJcxrkdDle  ^orij 
of  a  tevKgiled  lifeu 
fi'om  the  celebmted 
novel  bu    •    • 
Willid.m  u.Lockg 

Presented     by 
de^^eD.Heanptott 

^t^urind  *    *    • 
H  B  mRNER 

Under  direction  of 
Hem  I)  Kin^  •     * 


A  drt^inaL  IWt 


ROBERT/ON-COLE 


CJUBOTTOM 
OF  THE  WORLD 


Sir  Ernest  Shaddetoris 
stru^^le  "WitK  tlteicj 
elements  ai  tlvex, 
Soutlt  Pole/ 


^cin^Death-I^ealDeati^ 
ttotwake  belieVe'ittial 
drama  of  Ivumaiv 
endtirance  staged 

by  that  gJreaiest  of 
an  dajamatists* — 

.itself? 


•    & 


ROBERTyON-COLE 


'arm  LOEW 


Presents 


THE  SPECIAL 
DELUXE 


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CTo  ^ai'e  his  home  broken  up, 
toiVard  the  sunset  qfUfe, 
to  see  his  Wife  u)hom  he 
he  had  bOedand  to  Whom 
he  had  been  Louai  since  he 
u)as  practicaUif  a  boy, for- 
ced to  enter  an  old  ladies ' 
home  ~  that  lOas  what  J  be 

faced 

die  could  do  nothing  to  help 
her,  yet  he  could  no  more  do 
without  her  than,  wdkout 
air  to  breatkc. . . 
jHow  the  old  sea  captain 
solved  hiS  dilemma  makes 
thisfamousj^eu)  York  stage 
success  one  of  the  most  ap- 
pealinpf,  quaint  and  unus- 
ual stories  ever  conceived 


/. 


1*0 


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>^:.;^'S.vs; 


MARCUS  LOEW 


kf  RACHEL  CROTHERS 

The  Heart  Gri^p^ing  Screen  Vci^ 
sion  of  LEE  KUGBL'S  cekirated  - 
Broadway  Sta^e  Success  with/'  ms^ 

am  ALL-STAR  CAST  /-t 

EMMADUNN'"" 

'  anoi  I 

HENRY  HARM-ON I 


\ 


^Adapted  by 

JUNE  MATHIS 

directed  bif 

JOHNE.INCB 


"  SH^iOdLKaygcr  JS^  ^  TRO 


Vlredor  Gent 


JURY  IMPERIAL  PICTURES  Ctci.[Dlstnbutorstkrougfhout(/reat35nt(iM, 


EMEMBERL 

The  thrilling  breath-catching 
storm  scenes  in 

SHOULD  A  WO>lAJSr  TELL 


/"*•■! 


.--^.. 


-„.:■-       /KELL^—^  the  ones  in 
JAMES  A.HERNE'S  immortal  sea  stoiy 


msm 


ALICE  LAKE 


"^    eclipse   even   those!  •    "~ 

iJdaptecL  Zy ARTHUR  J.  ZELLNEIt  J),,ected  bif  REX  INGRAM 


JESSE  D.  HAMPTON  Presents 

H.  5  WARNER^ 

fn  WILLIAM  J.  LOCKES 
Famous  Movel    •    •    - 

Directed bu    HENRY  KING 


pictures"  entei-td  in 
Bm  the  very  clevei-ne^r 
of  their  ideaj  and  the 
unurual  conrtructionof 
IheiV  plotr.  Otherj  i^ 
their  dreatunderrtandinJ 

of  life.TOUCH  THE  HEAUT 
The  Whi  te  Dove'combiner 
all  bhere. 


ROBERT/ON-COLE 


With  aSuperior  CAST 

RAYMOND  L  JCKROCK 

DlREaEDBV 

Charles  Sviickaro 


'^TheThird  ^X'oman  Ir  made  of  the  stuff  which  bnn^r 
patrons  back.  It  \r  founded  on  the  deepest  known 
emotions,  produced  after  the  best  traditions'  of 
bhe  screen  and  acted  bi)  an  all  star  cart. 

ROBEmyON-COLE 


B.B. Feature  Directed  byVilliam  Pailce/ 

MisjBan-'ucale  ha?  appeared  m  many  ^reat  pictures  \r\ 
ha- successful  career,  but  "A  WOMAN  VHO  UNDERSTOOD"  \s 
^oin^  to  stand  out  a?  one  of  her  supreme  achievement/: 


ROBERT/ON-COLE 


Authorities  on  fechan- 
disitiig  pictures  know 
IM  sellitiq  pover  is 
pi'opoi'tiotia^ie  to  ex 
pbitd^lioti  possibil- 
ities. Thd:s  \Hievt 
ma.'kes  Whds  Xo^x 
Servadii?  «  wonder- 
ful edWlion.  Itls  ex 

pbitedion  angles  aa'e 
-  -  ittimberlGSS  -  - 


ROBERT/ON-COLE 


Albert  Capellani  Productions  Incjoiresezfts 

JUNE  CAPHICE 

IN  WALKED  MARY 

Adapted  from  the  plaq  Ia2a-Aim'l>q  OliverD, 
Baileu.  Directed  bg  George  Ardboixmoud 

June  Caprice,  fresh  from  the  successes  "O  Bog!"  and 
'ADainselinDi6tre6s'|in  aplat^  that  is  humorous,  pa- 
thetic and  stronglg  dramatic  bg  tum6.Pat  gaoint  nttle 
Soutbert}  Morg  ,mnose  onlg  friend  is  her  old  mamiDg 


^ 

H 


FOR  T.A.  LIB.  USE  OMLT 
DOES  m  ClRCUUTi 


"€ne  stiraable   po s sibilitie s 
as  a  dravin^  card"  say  th< 
reviewers   oP 

JACK 

DEMPSEY 

Id,  in  the  million  dollar 
Pathe    serial 

DAREDEVIL 
JACK 


-Z':^; 


• -aT^x-"*       n' 


t 


Pathe 

Distributors 


UCLA-Theater  Arts  Library 

*  PN  1993.5  U6  A869 


imm  m  LiSiW 


FOU  LIUKARY  USE  ONLY  • 
DOES  NOT  CIRCULATE 


Lie  SOUTHERN  REGIONAL  LIBRARY  I ACILIT/ 


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